![]() Antique rod puppets can have condition issues, especially with those produced with materials that can deteriorate over time, like plaster or cloth. Antique wayang golek puppets are scarcer and more collectible. Artists still make puppets like wayang golek puppets today, but newer ones are often not as sought after. A complete rod puppet with accessories is generally more collectible, while an incomplete rod puppet missing accessories is less desirable. Many 20th-century rod puppets were sold in boxes, which adds value. Rod puppets with less detail are made worldwide for the tourist trade.įactors determining the value of rod puppets include type, popularity, rarity, and condition. Some rod puppets with long histories, like Bunraku puppets, are still being made today. Contemporary rod puppets are often produced by artisans skilled in the trade, fetching more value because of the maker’s name. Rod puppets with wear or discoloration can indicate age and usage in performances. European rod puppets are generally controlled by puppeteers from above. Asian rod puppets are usually manipulated from below, and the operator is not visible. Sicilian rod puppets are made of mixed materials such as cloth and wood, with a wooden rod at the top of the head. For example, Javanese wayang golek puppets are distinctive because of their tall, thin appearance and elaborate costumes. Clothing and stylistic elements all provide clues to the origin of rod puppets. Because rod puppets are made worldwide, the first step is to identify the originating culture. Manufacturers' marks and provenance may help identify rod puppets. Rod puppets became popular in the United States in the 1930s. Alfred Wallace in New York used them in revues such as Show Within a Show, Johnny Gremlin Varieties, and Goober is my Name. ![]() Later, these puppets featured had more rods-the pupi rod puppets from Sicily, for example. The earliest European rod puppets had one rod attached to the head. The lead omozukai puppeteer stood in front of the production, and black robes hid the two other puppeteers.Įuropean and American rod puppets were influenced by their Asian predecessors. Japanese Bunraku rod puppets originated in 15th-century noh dramas and kyogen comedies. The Tay rod puppets of northern Vietnam are similar. In both the Sichuan province, China, and West Bengal, India, there are giant, weighty rod puppets that must have a center rod that fits onto the puppeteer’s waist. Rod puppets from other countries such as India, Korea, and Thailand are similar to wayang golek, although the rods are often affixed higher up the puppet's arms. Wayang kletek puppets were carved from wood but are not as three-dimensional as wayang golek puppets. A variation on the wayang golek show was the wayang beber, which had a moving scroll of scenery in the background. A gamelan Javanese classical orchestra provided music. Wayang golek shows were run by a single person, called a dalang. With a center rod on the head, these wooden rod puppets have thin rods on the wrists to move the arms. Some of the most well-known rod puppets are the Javanese wayang golek rod puppets from the 10th century. In addition, archaeologists discovered rod puppets in ancient Greek and Roman sites. ![]() The oldest known rod puppets were found in Asian archaeological sites. The first rod puppets originated thousands of years ago in several different parts of the world.
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